AASHA Foundation’s ‘Course For A Cause’ support Families of Galwan Valley martyrs
In a bid to extend financial support to the families of the beloved soldiers who lost their lives in the Galwan Valley while fighting against China, Mumbai-based AASHA Foundation is hosting a trailblazing initiative, ‘Course For A Cause’. The five-day philanthropic event will conduct 5 different webinars on skill-building courses, proceeds of which will be handed over to the families of the martyrs.
Initiated by Yashvi Lodha an extremely committed and precocious 12-year-old, a student of Class 7th from Hill Spring International School – Tardeo along with her friends Trisha Jhamb, Ishita Bharadia, Krisha Bang and Rahhya Ostwal.
‘Course For A Cause’ aims to honour the soldiers who sacrificed their lives in the violent face-off between India and China.
It is conducting online courses 5 different art forms for 6 to 12-year-olds; dancing, sketching, baking, calligraphy, yoga & workout, from the 29th June to 2nd July. Hosted through Microsoft Teams, each online course is scheduled for one hour, for which interested applicants can donate a minimum of INR 500 to the AASHA Foundation. The screenshot of the transaction can be shared with Marylin D’cuhna (+919702045729). The applicants will then receive an email with the ID to join the event on Microsoft teams or get added to the event directly. The last day to sign up for the event is Sunday, 27th June.
So join these young citizens of India coming together to contribute to the greatest cause and make a difference!
Disclaimer: This media release is auto-generated. The CSR Journal is not responsible for the content.
CSR News: Hindustan Zinc launches “Koi Bacha Rahe Na Bhookha” Campaign
Hindustan Zinc Limited (HZL), in association with Government’s Integrated Child Development Services (ICDS), has launched “Koi Bacha Rahe Na Bhookha” campaign – aimed at improving the health and well-being of the children in the age group of 0-6 years across 3089+ Anganwadis in Rajasthan. Through this campaign, HZL aims to break the chain of malnutrition and provide good health for children, lactating women and families, who have been severely impacted by the aftermath of Covid-19 pandemic.
In the wake of this unprecedented pandemic, vulnerable communities continue to struggle for food and ration. This has impacted lactating mothers, new born and young children the most. HZL’s KBNRB program till date has touched lives of more than 17,000 Severe Acute Malnutrition (SAM) and Moderate Acute Malnutrition (MAM) children. About 263 Khushi workers participated in the effort voluntarily, by assisting in supplying dry ration and Take-Home Ration (THR) for 2,372 SAM & MAM children, with support from Anganwadi and ASHA team of volunteers. Another set of 9,500 vulnerable families have also been ensured with supply of dry ration. Furthermore, the Company’s partners mobilized community and as a result more than 2,500 families received dry ration support from ~300 local donors.
The project is being implemented in partnership with reputed NGOs like Gramin Avam Samajik Vikas Sanstha (Ajmer), CARE India (Bhilwara & Chittorgarh), Jatan Sansthan (Rajsamand) and Seva Mandir (Udaipur) and would cover five districts of Rajasthan. The campaign has been launched under Khushi Anganwadi programme which is a unique tri-partite Public-People initiative.
Disclaimer: This media release is auto-generated. The CSR Journal is not responsible for the content.
International Day Against Drug Abuse 2020: Are Bollywood movies glamourising drugs?
From Easy Rider to Fear and Loathing in Las Vegas, Hollywood movies have a long tryst with substance abuse. Drug cartels, destructive-level addiction and illicit trafficking are so common in American films, it doesn’t shock in the least. In Indian cinema, however, any portrayal of drugs on-screen is a trend that began only in the 1970s. Drugs have become a lot more prominent in this decade, with the leading men in Sanju, Udta Punjab, Kabir Singh and other recent movies, shooting heroin into their veins, snorting coke and popping ‘party pills’ compulsively. As we observe the International Day Against Drug Abuse and Illicit Trafficking 2020 today, let’s explore whether these portrayals of drug abuse are glamourising narcotics.
The first hit
Hindi cinema in the 50s and 60s did not bother so much with drugs. It was in the 70s that LSD, marijuana and heroin started making an appearance. It wasn’t the hero who indulged, however. The profile of villains changed from conniving village chiefs to notorious drug lords and smugglers.
Drug mafia and violence
While substance abuse is a visual motif in many flicks, the drug trade is a theme. Jaanbaz (released in 1986) and Charas: A Joint Operation show the strategies adopted by the drug mafia to strengthen its hold on the system. The movies also deal with the problems of drug violence and corruption. The underworld drug mafia runs through the storyline of another Priyanka-starrer Kaminey directed by the brilliant Vishal Bhardwaj. Shahid Kapoor plays identical twin brothers caught in a cocaine deal gone wrong. Once Upon a Time in Mumbaai is a modern-day retelling of the time illicit trafficking began spreading its roots in Mumbai in the 70s, and made it the lucrative illegal business it is today.
Another 2011 film Dum Maaro Dum is about the drug trade in Goa. Abhishek Bachchan is ACP Vishnu Kamath, a corrupt narcotics specialist who comes to his senses after a car accident with a drug addict kills someone in his family. Kamath joins a special unit put together by the chief minister to bring Goa’s drug mafia to book. Lori and Zoe are two locals who are ensnared into peddling psychotropic substances because of the money in it. Zoe loses her life to drug lord Lorsa Biscuit and therein lies another lesson about getting involved in the trade.
Hippie culture in Bollywood
Hare Rama Hare Krishna in 1971 focused on the problem of addiction in addition to the social problems of broken marriages and the sense of alienation in youngsters. Zeenat Aman played the role of Dev Anand’s estranged sister who’s submerged in the hippie counterculture and the free love movement it endorsed.

The cult 1971 film was rather critical of drug culture. It implied that she takes to drugs to escape the pain of loneliness and a broken family. It’s one of the more mature and honest portrayals of the 70s counterculture by a Bollywood filmmaker.
Getting high or escapism?
Jalte Badan, which was released two years later, was also anti-drug abuse. It told the story of a young student becoming addicted to drugs but later coming out of the vicious trap. Crime thriller Khamosh had Pankaj Kapur playing a depressed heroin addict.
More than 20 years later, Priyanka Chopra-starrer Fashion showed how cutthroat competition, the inability to accept failure, loneliness and a career downfall can push one towards substance abuse. Through the character of a former supermodel Shonali Gujral (Kangana Ranaut, slaying it), the gritty Madhur Bhandarkar film depicted the prevalence of drugs in the fashion industry. Shonali turns to dope to escape the sense of failure she’s experiencing in her modelling career.
Meghna (Priyanka Chopra) too resorts to alcohol and cocaine when the chips are down. There’s a scene in the aftermath of her substance abuse that is uncomfortable to watch. She wakes up in a stranger’s bed after a night of reckless partying, with no memory of where she is and how she got there. Fortunately, the incidence is a reality check for her. Meghna takes a sabbatical to get clean and ends up stronger than when she started out.
Trippy haze
A year later, director Anurag Kashyap pushed the envelope of Indian filmmaking with his ground-breaking Dev D in 2009. He cast Abhay Deol as spoilt-rich-brat Dev drowning himself in cocaine, charas and vodka to get over a break-up with his childhood sweetheart. On the surface, this iconic movie might appear to be glamourising drugs with its trippy visuals and alternative music. But watching Dev slowly lose his grip on reality actually gives you a sense of the life-consuming power of narcotics which we believe was the filmmaker’s real intention.
