The Figures of Resilience exhibition at the Art Exposure Gallery in Kolkata showcases the artistic journey of Surendranath De, a lesser-known figure in Indian modernist art. Known as Suren De, the artist hails from Tripura and has often remained overshadowed by prominent contemporaries such as Nandalal Bose and Ramkinkar Baij, both of whom were his mentors. This exhibition aims to bring his remarkable works into the spotlight, offering a fresh perspective on his contributions to the art world.

Artistic Style and Materials

One of the most notable aspects of De’s work is his mastery over various materials, including wood, terracotta, bronze, and concrete. His sculptures often reflect a deep appreciation for folk imagery, depicting themes such as weavers, dancers, and everyday household tools. This diverse use of materials and subjects illustrates his unique artistic vision and invites viewers to explore the cultural narratives embedded in his creations.

Somak Mitra, the director and founder of Art Exposure, emphasises the importance of recognising De within the broader context of post-Independence Indian modernism. He states, “From Santiniketan, he inherited an approach to sculpture that encouraged experimentation rather than adherence to a predetermined artistic idiom.” This perspective highlights De’s innovative spirit and his commitment to exploring the boundaries of his medium.

De’s artistic evolution is evident in the timeline of his works. His wood sculptures, created during the 1950s and 1960s, showcase a period of exploration and development, while his terracotta pieces from the 1970s reflect a deeper engagement with form and texture. The concrete and bronze figures from the early 1980s mark a significant return to his roots at Santiniketan after a two-decade stint in Nigeria, where he taught art. Unfortunately, his promising career was cut short by his untimely death at the age of 52.

Significance of the Exhibition

This exhibition is not merely a revival of a forgotten name; it serves as an opportunity for audiences to engage with the innovative experiments and artistic possibilities that De’s work embodies. Mitra notes, “This is not simply an exercise in recovering a forgotten name. It is an opportunity to engage with the experiments and possibilities embodied in his work.” This statement underscores the exhibition’s aim to foster a renewed appreciation for De’s contributions to Indian art.

Running until November 17, the Figures of Resilience exhibition invites art enthusiasts and the general public to rediscover the significance of Surendranath De’s oeuvre. By highlighting his unique artistic journey, the exhibition seeks to position him more prominently within the narrative of modern Indian art, encouraging a broader understanding of the diverse influences that have shaped the field.

As visitors explore the exhibition, they are encouraged to reflect on the cultural and historical contexts that inform De’s work. The collection not only serves as a testament to his artistic talent but also as a reminder of the rich tapestry of Indian modernism, which encompasses a wide array of voices and styles. The Figures of Resilience exhibition is a significant step towards recognising and celebrating the contributions of artists like Surendranath De.

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